In case you didn't get a chance to attend Master Drawings New York this year, you can read a review of the fair on the Hyperallergic website. Highlighting his visit to Kraushaar Galleries, the contributor Seph Rodney states, "As with times previous, I found myself drawn to a diversity of work: illustrations, studies, human portraiture, animal portraiture, nudes, a couple of surreal landscapes, and inventive, post-war abstract works. I was surprised to find the latter, and when I admitted to Katherine Degn of Kraushaar Galleries that I admired her gallery the most of those I had seen that day, she said to me that their emphasis was more on the “drawing” than on the “masters.” This is where I saw a strange dreamscape by Dorothy Dehner titled “Balloon Ascension #3: Dithyrambe Played by the Ashraf” (1947), and a couple works that were not actually drawing: a print from a woodcut by John Storrs “Repose (Reclining Figure Under a Tree)” (ca. 1920); and a black-and-white, abstract work by William Kienbusch, “From the Porch, Cape Split #2” (1972), which might represent an old set of antenna that used to typically line the roofs of houses in the 1970s."